NOTE: Please be aware that we only have one or two copies of some
of these. Many aren't even in print any more. Even if it is
listed here it may already be out of stock (we'll try to keep
it updated but they may go fast).
A537 Bagua Rubbing Bagua linked Palms Compiled By Zhang YuKai
340 Pages, Profusely illustrated, mostly with color photos $42.95
Traditional Chinese Characters
Click image to see inside
Yet another beautiful presentation from Lionbooks on Bagua Zhang, specifically, the Original Cheng Branch of Gao Style Rubbing Bagua, developed by Gao Yi Zheng.
The first part of this book presents rare documents and background information on the development of this branch, including short biographies of many of its past and current masters, including Ge Guo Liang, Zhang Zhi Bo, Wang Shu Sheng, and the Masters Dong Hai Chuan, Liu Feng Cai, and others. Vintage photos and original texts are reproduced, with footnotes added for explanation.
The “rubbing” aspect is not a misspelling or bad translation; higher level training is often accompanied by keeping the hands closer to the body as you practice. The rest of the name refers to the large linked set within: the 'Bagua Rubbing Linked Palm' system.
Also included is a variety of stance training positions, particularly descended from the original Cheng style. Following that is a series of two-count movements (somewhat stretched, with a little feel of dance) and some good warm ups which never lose the Bagua energy. A bit further finds some of the most famous postures and Bagua book plates by Liu FengCai. This is followed by demonstrations of Palm changes, continuing the openness of the style.
The Post-Birth sections follows with several long linked series. These are all constructed to be lifted from the linked palms and performed in short sequences.
There is even a section on Bagua Weapons, demonstrating a few sets, such as the two-headed spear, which lists techniques, but without pictures.
The last section shows a breakdown on Dragon Style Bagua.
C161 Cao Style Baguazhang Manual
By Lu Jinggui
140 Pages, NO Photos or Illustrations $14.95
Traditional Chinese Characters
This is an important text on the Cao Style branch of Yin Style Baguazhang. There are no illustrations or photos in this book, aside from a well-known photo of Cao Zhong Sheng.
We are lucky to have a short excerpt from Joseph Crandall, published in his translated text on Yin Style Baguazhang, about the rather rare Cao branch. The majority of Crandall's book consists of illustrations and narration on the 64 form movements of Cao Zhong Sheng's branch of Yin style Ba Gua Zhang. This style consists of an eight section, 64 form routine. Along with the illustration and explanation of all of the 64 forms, the author also provides narration pertaining to the main application, or "chief functional method," of each of the 64 forms.
We reprint Crandall's excerpt below with his permission. If you are interested in this English language translation on Bagua (or any of his English translations on BaguaZhang, click HERE.
Cao Style Branch of Yin Style Ba Gua Zhang
translated by Joseph Crandall
Cao Zhong Sheng was from Cao Jia Village, Wu Cheng County, in Shandong Province. He was an apprentice in a jade store when he first came to Beijing at the age of 15. At that time he was weak and in poor health. To boost his strength he began studying martial arts with Fu Wen Yuan who also worked at the same store. Fu was a student of Ba Gua Zhang instructor Ma Gui (and often went to Yin Fu's ) home to practice. When he went to see Yin Fu, he often took Cao with him. Cao studied Ba Gua with both Ma Gui and Yin Fu.
Later, Cao went back to his hometown in Shandong and received Chi Shi Xin it) and Cui Yun Qing ( as students. In 1934, Cao led his students to participate in a martial arts fighting competition in Shandong and his student won the gold medal. In 1936, at the invitation of Tang Yu Lin ffi^M), the governor of Chahaier Province under the rule of the Guo Ming Dang, Cao went back to Beijing to teach Tang Yu Lin and his son. While in Beijing, he also accepted Zhang Ding Chen, Zhang Jin Chen, and Zhang Shu Tang as students.
In 1938, Cao went to Tianjin with Tang Yu Lin. In Tainjin, Cao received another student, Lu Jing Gui ( In 1942, Lu Jing Gui wrote a book titled Cao Style Ba Gua Zhang according to the oral transmission of Cao Zhang Sheng. Cao Zhong Sheng died in 1949 at the age of 74.
Chi Shi Xin was from Shandong Province, Wu Cheng County, Xue Guan Village. Chi Shi Xin received the full extent of what Cao had to teach and later traveled to many areas in Shandong and Hebei Provinces teaching martial arts. Chi died on New Years Day, 1974, at the age of 92. The authors of the book Yin Style Ba Gua Zhang were students of Chi Shi Xin.
(Photos: Left, Yin Style Ba Gua Zhang instructor Cao Zhong Sheng (1875 - 1949); Right, Cao's student, Chi Shi Xin (1882 - 1974)
A541 Essence of Baguazhang: The Biography of Liu Yun Chiao
Instructor: Tai ShihChe; Edited by Chen MingDe & Huang ChinYin;
430 Pages, Many color Photographs $49.95
Traditional Chinese Characters, with Entries in English, Spanish and Japanese
Various section Prefaces and forewords: Dai Shi-Zhe, Chen WeiShen, Chi ChaoHua, Hsu DingAn, Chen Ming-De, Huang ChinYin
This is a beautifully designed book about Bagua Zhang and one of its most famous teachers, Liu Yun Chiao. Liu Sifu had the distinction of studying with top-notch teachers famous in styles such as Baji Quan, PiGua Zhang, Tang Lang Quan and others.
One of the most unusual aspects of this text is its presentation: the first 100 plus pages, containing the writings and non-instructional text, are given in several languages. Chronicling the essence of Liu Sifu’s entire teaching life through students, this section offers over one hundred pages of personal testimony about encounters with Liu Sifu. This biographical section is printed in Chinese, but also includes translations in additional languages: English, Spanish, Japanese. (And, fyi, each section may reprint some — but not all — of each language).
Instruction itself is solely in Chinese, but the photos are in full color and, each of the example forms is fully broken down.
The combination of form, techniques, scenes and conversations give a real feel for the man, his teachings, and his time.
Photographic presentation of the forms includes:
Bagua Kai Men Opening the Door
Bagua Legs Form
Bagua Linked Palm
TC437 Bagua Sword and Dragon Shaped Sword
By Jia BauShou, Hou Jiahua
190 Pages, Photographs WITH DVD $17.95 Traditional Chinese Characters.
This book contains routines from two famous Bagua Zhang sword sets, one generically titled Bagua Sword, and the other, Dragon-Shaped Sword.
The text offers many clear, clean, easy-to-follow instructional photos for both sets. The teacher is limber, bringing an energy even to the static poses. Note: The Bagua version of the Dragon sword is so advanced physically, that if you want to study it, you should be very careful about the backbends, which are numerous throughout the set. Use a barre or wall to practice.
A nice addition is a section preceding the Bagua Sword set called “Bagua Sword JiBenGong,” performed without a weapon. JiBenGongs (or “Gongs”) are advanced basics designed to infuse the sets with the correct flavor of the style.
Instruction for both routines is well-produced on the DVD.
C091 Bagua Linked Swimming Body Palms
218 Pages, Illustrations $15.95 Traditional Chinese Characters.
Swimming Body Bagua Zhang is typically associated with Cheng style Bagua, but this text comes from the Gao Style Bagua Zhang lineage (Gao YiSheng).
The hand-drawn illustrations of the routine are lively, accompanied by numerous ‘Gua’ patterns associated with a compilation of Baguazhang Seven Word songs. Also included is a a 64 move Routine, a summary of Baguazhang practice and a biography of Dong HaiChuan.
Du Zhaotang, the author, is a member of the Gao YiSheng family and lineage.
TC330 Zhong Guo Bagua He Xing Yi (Chinese Bagua & Xing Yi)
146 Pages, Small Charts and Illustrations $12.95 Traditional Chinese Characters.
The Chinese Bagua Ruyi Kung focuses on practicing the central meridian, unites body and mind, and combines movement and static. In the practice, it can quickly and unbiasedly achieve the potential functions of curing diseases, fitness, brain strengthening, fitness, and improving people's body. And spiritual qualities. This book introduces the movement, static and principles of Chinese Bagua Ruyi Gong in order, and appends answers to several questions for the reference of qigong circles and readers.
TC637 Liu Fengchun's Bagua Palms
Liu Feng Chun; edited by Shi Jianhua and Shi Xueliang
141 Pages $14.95 Traditional Chinese Characters.
Another branch of the ever-spreading style of Bagua Zhang is here represented.
Liu Fengchun is a disciple of Dong Haichuan, the founder of Baguazhang. This book includes Liu Fengchun's Bagua Palm Basic Boxing Skills, Routines, Gongfa, Boxing Scores and Tricks, Health Preservation, Skills and Strategies, etc.
Applications for this branch run more to pushing than striking, though that is also part of this art. Liu Feng Chun, a student of Cheng Ting Hua, and some traits bridge over. The Fa Jing is well concealed in small actions. The photos are good though each model was surrounded, I think, with a short “glow” wrapping his body, just an easy way of floating the images and no indication of special powers.
Main form starts with Eight Big Palms. Good posture, better than most in my opinion. All of this shows how consistent Bagua has remained, even given over a hundred variations and “styles.”
TC133 Liang Style Bagua Zhang (Old 8 Palms)
Li Zi Ming
180 pages $13.95 Traditional Chinese Characters.
A compendium of the rules and observations from the Liang branch of Ba Gua. Much of this information is presented in what some people call “poems” offering the essence of the style from the technical to the theoretical. Some sketchy drawings (of a character a little like an alien) showing different palm changes. Here for an English version of Liang’s writing.
TC322 Bagua Zhang Fa
Jiang Rong Qiao
220 pages $11.95 Traditional Chinese Characters.
The famous and generally accepted “New” Bagua, from one of the major writers breaking into a more modern approach. Beautifully illustrated this rendition of the Eight Changes favors medium stances, and one of the best layouts and clearest illustrations of the breakdown, along with detailed postures. This is a Bagua to start your training.
C087 Bagua Sword Studies
by Sun Lu Tang
60 pages, many photos of Sun Lu Tang himself $12.95Traditional Chinese Characters, Published 1927
This may be one of the first Bagua swords developed. Sun Lu Tang was an acknowledged expert in Xing Yi and later added Bagua and Tai Chi to his accomplishments. The straight sword is a weapon dependent on footwork even to a higher degree than most weapons. The sword of Bagua is a “one step, one sword movement” form of training.
The photographs certainly aren’t perfect, but they clearly show Sun Lu Tang’s postures and actions. His vision of Bagua sword emphasizes change over everything else. There is a good translation into English of Joseph Crandall’s very popular text of this form complete with Sun’s Bagua Palm. Here is a facsimile of the original published work, a hallmark in martial history.
Two New Books on the Ma Gui branch of Bagua Zhang
A528 Ma Gui Style Bagua Zhang
by Tu Xing Jian
468 pages, BW photographs including student groups $34.95 Traditional Chinese Characters (see discount in yellow box below)
Other than some good work by Andrea Falk, very few people are doing much to bring the work of Ma Gui onto the Bagua scene. Those who have tried the style have much praise, but it is still, unfortunately, relatively little known in the overall field. This book by Tu Xing Jian offers a big presentation of this branch.
Topics covered are the Dragon Shaped Palm, which is the first form presented photographically in the book. Next comes coverage of the “remaining palmsn” including the Moon position, Yin Yang Fish, Lion, Single Hook and more, with some applications shown.
The middle bulk of the book is Chinese text without pictures. However, the Linked Palms section contains good breakdowns, including partnered Push Hands-like actions with a few single training exercises. Following that are representative photographs on Bagua Saber and the Elk Horn Knives specific to this style.
The MaGui style particularly emphasizes Bear energy, which is evident throughout and from the patterns taught in the book. Like Beng energy in the Yang Tai Chi, the Bear energy is basically everywhere in Ma Gui movements.
A worthy entry and addition to the Bagua Zhang canon.
TC154 Ma Style Bagua Zhang
by Tu Xing Jian
444 pages, slick photographic paper, color photos $45.95 Traditional Chinese Characters (see discount in yellow box below)
Having mentioned above that there are few books on the Ma Gui branch of Bagua, another one arrives! This, also by Tu Xing Jian, is a high quality production on heavy coated matte paper, so that the book is actually heavy for its size.
Overall, this is a nicely done, expensive production. It does not duplicate the information of the other book and even promises to be volume 1 of a series. In this text, there is more concentration on the fundamentals and basics. The color photographs show instructor modeling for form, some pushing practice and, of course, many historical shots, some of them rare.
If you don’t read much Chinese this book is text heavy, but if you are collecting or are particularly interested in this little-known Bagua style, the color photographs are not miserly and the book overall is a handsome presentation. The text relates to the photos, showing important exercises even from “up river” styles like Cheng Pai Bagua Zhang.
Both of these texts, we believe, have historical importance for students immersed in a bit more advanced Bagua study.
Special offer: Buy both of these big books and save about 20%. Instead of a combined price of $80.90 the PLUM price is $64.95; Discount will show in the shopping cart.(This will be a heavy package.)
SC534 Round Body Bagua
94 pages plus VCD, softbound $18.95 Simplified Chinese Characters.
A surprisingly strong performance of a mixed set of Bagua by a national champion. This medium sized set is a solid compilation of many aspects of Bagua besides the Palm Changes. It also blends the Bagua Animals as well as some Old Palms positions. Additionally kicking methods are shown within the form and capturing the flavor of the style. A good performance set for about intermediate level and one that is clean enough that whichever style you might practice can be displayed here. Though often less than 100 pages, these books offer both simplified Chinese and English face to face. In addition, they include a VCD with the form in question demonstrated, often by top performers. The narration in both the Chinese and English are minimal leaving it pretty much up to you to figure out how to move but the photographys is quite clear and the English helpful. If you are interested in the form, it is a good price.
TC622 Li Zi Ming’s Liang style Authentic Bagua 64 San Shou Palm
Zhang Jin Liang
170 Pages, photographs, softbound $14.95 Traditional Chinese Characters.
Mr. Zhang, one of our most popular Bagua demonstrators, studied under the famous Li Zi Ming who himself studied under Liang Zhen Pu, practicing and promoting the Liang style of the Bagua Zhang. This makes Mr. Zhang the third generation inheritor of the Liang mantle. This book concentrates on tight, strong applications. There is not a lot of whirling around or trying to “sneak around” the opponent but Zhang’s structure is strong and clear. Almost every application ends as a throw even if some of the projectile appearance of his assistant’s body looks like there might be a little assist happening. Normally applications texts are relatively self-explanatory but, without some knowledge of power issuance, these rather unusual angles of counter attack might not be that easy to duplicate.
TC732 Bagua 64 San Shou Palms
Wang Pei Sheng
236 Pages, photographs, $16.95 Traditional Chinese Characters.
Here is exactly what is advertised, 64 self defense variations built on the Bagua of Wang Pei Sheng. This is a nicely done text. The photos are clear and in every case Wang Sifu shows the "form" version before applying it in fighting. This is handy because the fighting version is not always that similar to the form. Relatively direct applications but not stupid ones. An introductory section on philosophy and principles, a long end section on the names involved in all of Wang's Bagua. Wang learned his art from Gao Ke Xing, a student of Li De Kuan, who developed these 64 linear applications.
C128X Wuji Bagua Lian Huang Zhang
Liu De Kuan $23.95 Traditional Chinese Characters;
147 Pages, illustrations.
Bagua Continuous Changing Palm by Liu De Kuan, yes, Liu De Kuan. An early book on Bagua by a famous instructor. These illustrations are what we often call “charming” but in this case they approach the surreal. We wouldn't suggest you try to learn from them unless you have the body of Gumby. On the other hand this is a must for any collector of Chinese Martial Arts. Besides discussions on Bagua footwork and hand arts there are notes on the changing palms.
The Way of Bagua - A523X
By Li Yun Zhong $17.95 Traditional Chinese Characters;
152 pages, photographs, softbound.
NOTE:This one has been going fast! We also may have some hurts at a discount...
This is a book from a grand student of the famous teacher, Cheng Ting Hua. Besides some good photos of the turns in this style there are interesting text sections of Li's teacher, Lu Xue Xi and grand teacher Cheng. (see translation below)
Other features include:
Pictures of Lu Xue Xi
Photographs of Single Change Palm, Double Change Palm, Comfortable Change Palm, Turn Body Change Palm, Rotate Body Change Palm, Twirling Change Palm,Fist Spinning Palm, Spinning Change Palm
Comments on Bagua Patterns Three Threads Palm, Millstone Palm
Li Ren Ping also talks about Wushu's origins and Bagua's Dao
1.First get a master who understands the principles whether you start early or late.
2. Unify the breath and you have bagua.
3. Unified breath becomes 8 trigrams, 4 shapes, twin powers (yin and yang)
4. From Yin and Yang through Bagua to Non-Duality.
5. Then the 64 transformations and the 72 hidden steps are mutually useful.
6. Structure is use, use comes from structure, usage is the origin, movement is the way. and numerous other topics.
Bagua Linked Palms 八卦連環掌 - TC 810
By Wang Shu Jin 王樹金$14.95 Traditional Chinese Characters;
102 pages, photographs, softbound.
Very little has to be said about this famous instructor, who is still respected at his grave site twice a year in Taiwan. This is a nicely reproduced text with pictures of Wang himself demonstrating the title form. A good addition to a martial library as Wang was very famous indeed and is still well known.
Body - TC 701
By Wang Shu Jin 王樹金 $15.95 Traditional Chinese Characters;
87 Pages, photographs, softbound.
OUT OF STOCK! Please place
me on your WANT LIST
for this item.
is a very famous book in the Ba Gua Zhang world. This is the
first text written on the "Swimming Body" Ba Gua.
It was produced by the well known instructor Wang Shu Jin. These
old photos show Wang himself .
Wang was considered by some to be one of the best fighters in
Asia. His BaGua was extremely powerful and is recorded by a
number of martial artists, Asian and Western. Here is an edition
of his book with photographs of Wang himself posing for the
Dragon Form Bagua Palm- C120
by Wang Bai-Nien $12.95 Traditional Chinese Characters;
Pages Paperbound. Photographs.
This book has been reprinted many times. It is one of the first
ever published on the art of BaGua. What's unusual about this
thin by very nicely done edition is that, unlike so many of
the others, this one contains the original PHOTOGRAPHS not the
line drawings taken from them. And what's even better is that
some of the photos are not even bad. This text is by Wang Bai
Nien student of Li Cun Yi, a famous second generation student
of Dong Hai Chuan.
WuDang Bagua Palm- TC 204
by Yuan Chu Tsai $10.95 Traditional Chinese Characters;
Pages Softbound. Photographs.
These are collector's items for all those who used to hang
around the Chinese bookstores collecting little editions of
Kung Fu books. Yuan created a number of books like this on
BaGua which have gone through countless editions. His most
notable attribute is a horse stance that looks like two trees
growing out of the soil. The photos are old, sometimes barely
distinguishable but these little books take you back to early
in the 20th century and the first attempts to really establish
a popular library for students.
Lion Books of Taiwan
Reprint: LBRP-C002 BaGua
Fist Authentic Teachings
Hsi Kun $13.95, 149
This is a wonderful early BaGua text by Mr. Sun a student of Cheng YouLong
the son of Cheng Ting Hua. This book shows the 8 classic Palm changes,
then has sections on Standing, two person work, BaGua knives, BaGua sword,
BaGua Big Knife, BaGua FangTian and more. Photographed in front of a hypnotic
spiral design this is a famous text from the very early days of BaGua
A522X Cheng Branch Gao Style Bagua Palm
by Liu Shu Xing, Ge Guo Liang and Li Xue Yi $21.95 Traditional Chinese Characters;
Illustrations/photos, around 239 pages oversized around 7 1/2 X 10.
Master Liu Feng Cai was a direct student of Gao Yi Sheng. He did a wonderfully organic and non-commercial Bagua. This is compiled of students of that style and is one of the major books on the Gao Branch of the larger Cheng style Bagua. This oversized edition is mostly line illustrations of the Pre Heaven Eight Circling Palms and the Post Heaven 64 "linear" Palms for which the Gao style is known.
There are discussions of the style, lineage, fundamentals, weapons (not illustrated), notes on the "animal" palms, internal training and famous personages in the Bagua history. A nicely down book with front photos in color.
Palm Concise Course
by Yin Yu Zhang $13.95 Traditional Chinese Characters;
Unpaginated, around 65 pages.
1932 edition was reprinted in 2002. If you are a BaGua enthusiast, this
is an essential text for your shelf, as it contains photographs of Yin
Fu's son performing BaGua. Classic photographs illustrate positions from
the Eight Palm Changes. Circular diagrams with red annotation show corresponding
stepping patterns. Textual notes include many key points about footwork.
A thinner than usual book for this price, but Lion went to great effort
to add the complementary text and diagrams mentioned above. Just a classic.
Books #B302 (Bagua Fighting) ( Break the wall)
by Yen Te Hua $13.95 Traditional Chinese Characters;
Po P'i. A
famous text nicely reprinted. Though described in the title as "Shaolin
Insights" this has for decades been considered one of the first illustrated
manual of BaGua usage. The techniques here were reproduced in such well-known
books as Li Ying-Arng's PaKua. A unique point: the explanation for each
technique in its entirety is repeated completely at each step. Wonderful
old fashioned illustrations and some rather trippy techniques...
Body Continuous BaGua Palms
(Yu Shen Lien Huan BaGua Chang)
Tu Chao T'ang $14.95 Traditional Chinese Characters.
reprint of a 1936 text on BaGua. Eight changing palms are presented and
then a number of secondary exercises with concentrations such as BaGua
kicking and elbow work. Written by a student of Gao Yi Sheng the illustrations
are primitive but delightful. This is an early text in BaGua history and
one of the primary examples of the Gao influence ...
Reprint: C028X True
Writings on the BaGua ChiMen Spear
by Sun Hsi Kun $9.95 Traditional Chinese Characters;
This is a wonderful early BaGua text by Mr. Sun
a student of Cheng You-Long the son of Cheng Ting-Hua. The spear technique
here is classic and well illustrated with these great old photographs.
Originally published in 1930, this book shows solid technique. Movements
with the staff correspond to aspects of the trigrams with actions of defense,
attack, and sealing shown.
Reprint: C034 Yin Yang Ba Pan Zhang
by Ren Zhi Cheng $13.95 Traditional Chinese Characters.
published in February, 1937: Tian Jin. Ba Pan refers to "eight
flat things" like eight pans and thereby translates as 8 levels.
This lineage claims to come from another origin than Tung Hai Chuan
and is somewhat an item of controversy which has even created correspondence
with our friend, the esteemed martial historian, Professor Kang Ge Wu
of BeiJing. Whatever the exact lineage, this is one of the most flavorful
representations of BaGua you'll see. The twist are extreme and exciting.
The spirit of the BaGua a completely realized with tremendous monkey-like
actions. Just for the photographs, a treasure. Contents include: Explanation
of practice, Big BaGua, Ba Pan holds, Ba Pan Saber, Ba Pan Spear, practice
drills, four generations of Ba Pan. Special items mentioned are Monkey
and Chuan Lin (Forest Penetrating) movements. There are a number of
reasons for the "Ba Pan" designation which you will encounter
if you study BaGua long enough. One explanation is that the Ba Pan are
the parts of the body. Another is that the Pan are the essential 8 coiling
actions. Lineage: Ren Zhi Cheng learned from Li Zhen Qing who was supposedly
a co-student of Dong Hai Chuan under Dong Meng Lin.
1953—practiced Tiger Crane Double Fist Hung Gar.
1955—studied Yang style TCC from Dong YingJie.
1958—1963 In Tainan (Taiwan) Mr. Zhang Shi Rong studied Xing Yi, Bagua and Tai Chi, Weaponry and more...
From Chen Yong Lin he studied 3 Point Mei Hua Spear and Staff.From fellow student, Huang Gui Fu, he studied Shaolin Boxing, 6 Harmony Spear and more.
1966—1979 Following teacher Han Xing Yuan he learned Bagua, Xing Yi spear and Da Cheng Chuan and more...
1985—1987 Near Beijing，Following teachers Zhao Dao Xin, Wang Yu Fang，Yu Yong Nian，Li Jian Yu, he researched much information on Wushu.
From 1988—to the present，Following "elder brother" Liu Wan Chuan, and Yu Zhi Ming he studied Ma Gui style Bagua, Qigong and more...
The author has been involved with Chinese Martial Arts for over 50 years. He has spent more than a dozen years learning about Ma style Bagua and its qualities.
Using new concepts and scientific ideas, he has employed these to find Chinese Martial Arts (CMA')s essence, clarifying Wushu's mysterious doctrines, contentless concepts, and concealing words. He sought the truth from facts, and was willing to leave home to seek a new home, and investigate the special features of each approach. His finding are in these books.
from The Way of Bagua
Cheng Ting Hua speaks with a profound meaning. According to his own report his many years study of wushu was a torturous experience, but a rich one. In Cheng's particular case, he bowed to Dong Hai Chuan; staying at his knee like a child to succeed in obtaining the true instruction of Bagua's straight path, an outpouring from the bottom of his heart. Cheng Ting Hua, became Bagua Zhang's second generation inheritor. He is accepted as having taken the torch from founder Dong Hai Chuan to become the second generation disciple. Whether or not he was accepted by Dong Hai Chuan as an full and authentic Bagua Zhang "teacher" is not a great problem; it is not one of those fundamental issues. Dong Hai Chuan instructed Cheng's Bagua Zhang from the beginning to the end. Therefore Cheng Ting Hua's Bagua Zhang is not just standard issue. Dong Hai Chuan then Cheng Ting Hua took Bagua Zhang through the process of passing on instruction, finally to accomplish,"the acme" of being "a teacher".